Odds and Ends

Random French bits I picked up in the past week that don’t merit a post in and of themselves.

  • I watched the first one and a half episodes of the Netflix series Marseille. It’s more or less the French equivalent of House of Cards, but with Gérard Depardieu taking the role of Kevin Spacey. It’s unclear to me how explicitly Netflix meant it to be a direct adaptation of the concept, but others have noticed the obvious parallels as well. One can only hope that Netflix didn’t mean to have their leading actor plagued by sexual assault scandals, but Depardieu seems to have that in common with Spacey as well. So far I’m willing to separate the art from the man and haven’t given up on watching Depardieu films. I’ll see if this TV series is worth watching more of.

  • In this week’s French conversation lesson I found myself explaining how I met a French-teacher friend, and then I found myself explaining my mathematics graduate school career and why I left, and then I found myself explaining my advisor’s research, and next thing you know I’m explaining the five families of modern cryptography schemes and the corresponding hard math problem each one is based on. I was able to get across most of the ideas (and kudos to my teacher for sticking with me on this), but I lacked some of the technical terms in French for various mathematical objects. It’s times like these I wish I had reviewed Cryptographie sur les courbes elliptiques in advance of my lesson.
https://youtu.be/8WTesYp5H8o
  • Google News and YouTube keep feeding me various Georges Brassens materials, which are all the rage as we draw near the 100th anniversary of his birth in October 2021. This one is a particular gem. It’s an hour-long TV program from 1972 (Bienvenue à George Brassens) that has Brassens in a cozy setting surrounded by maybe 100 members of a television audience. The show interleaves performances with interviews, and many of Brassens collaborators are present and participate in the discussions. A large part of the charm of this particular video is the anonymous audience members in all their 1970’s glory. Look at the hair styles, what they are wearing, how and what they smoke, and their reactions to his sometimes ribald songs. I have some sense of what Americans in the 1970’s were like, as I lived through 90% of the seventies and watched plenty of movies and films from that time. But French styles in the 1970s were different, so this is a nifty look back through both time and space.

    Brassens is also charming and disarming with his total lack of pretentiousness.
Rubens, 1 of N
  • I finally got around to watching the final two episodes of the Netflix series Lupin. They were OK, but the plot holes were large enough to drive une fourgonne through. It’s better if you just enjoy the scenes and the acting and don’t worry too much about how it all fits together. I’ve read one Lupin short story long ago, but ordered from my local bookstore one of the re-issues that the success of the Netflix series has spawned. It’s taking a while to arrive, but I’ll read it someday …

Summer Lessons Day 11: Concordance des temps, Langage familier

Whatever you do, don’t look back!

Wednesday’s lessons were with Sofia once again, and as before we covered a ton of ground. We reviewed that bête noir of advanced grammar the Concordance of Tenses, and also looked at indefinite determinants. We also did a bit of reading comprehension around French beliefs in pseudo-sciences and bogus medicine. But the majority of the time was spent on oral comprehension of more difficult language: fast, informal, mumbled, and even (gasp!) Québecois! Oh, and we did another timed writing exercise to round it out.

Grammar first: when I hear “indefinite determinant”, I usually think of a matrix with a mix of positive and negative eigenvalues. But that’s not what we studied during the lesson. Instead we looked at words like “some”, “few”, “most”, “all”, or “no” – words which give a vague sense of quantity without being specific: “Few children like spinach”. If you think about it for a moment, it’s obvious to English speakers that there’s a natural order of these: “no” < “few” < “some” < “most” < “all”. There’s likely other words you could fit in there somewhere as well (e.g. “several”, “many”).

How about in French? That was the subject of the mini-lesson on indefinite determinants. French has the added wrinkle of using different words for singular concepts and plural collections. Here’s the rough ordering for singular quantities:

{aucun, nul, pas un} < {un, l’autre} < {quelque, quelconque} < certain < maint < { chaque, tout }

For plural quantities, there’s other words like «divers», «différents», and «plusieurs» that figure in the mix as well. I didn’t quite catch all the nuances on when to use the singular version and when the plural version, but interesting and worth more study.

After the grammar work it was on to oral comprehension. We started with a video about the painting “Orpheus and Eurydice” by Peter Paul Rubens. The original is in the Prado museum in Spain, but YouTuber Manon Bril has a poster on her apartment wall. When she made this video, Bril was still a PhD student in modern history and writing a thesis on the portrayal of Athena in the 19th century (explained in only 180 seconds here). But she already had a side gig of making videos about famous artwork. Her style is irreverent, fast, choppy, and with a lot of asides, so it’s a decent challenge to understand. I was helped by the recent popularity of the musical Hadestown, though it took me forever to figure out that “AH-dess” was the French pronunciation of Hades (“HEY-dees” in my dialect).

Next up was a long journalistic piece about whether Instagram photos, and specifically the wide spread use of photo filters and photo manipulation apps like Facetune, are driving people to make more changes their actual bodies. Apparently, ordinary people are not only getting unhappy that they don’t look like the glamorous celebrities they see on TV or the internet, they are getting unhappy about not looking like the modified selfies that they themselves create and post to social networks. Having gotten used to the doctored photos, they now go to the doctor to augment their bodies. That all sounds pretty terrible to my ears, but it sounds even worse when explained in a thick Québecois accent. And worse still, when discussed by Québecois students at community college with bad microphones and no training in communications. Quite a listening challenge for me.

After discussing what I did and didn’t understand from the Instagram story, it was time for written production! Same conditions as before: 25 minutes, no tools or reference works, 250 words. The prompt was «Selon toi, qu’est-ce qui construit l’idéal de beauté d’une société? Penses-tu que notre idée de la beauté a tendance à s’harmoniser? Pourquoi?» (“In your opinion, who dictates the notion of beauty in a society? Do you think our ideas of tend to converge? Why?”) Here’s my response, together with Sofia’s corrections (I didn’t do any further self-correction after the 25 minutes were up).

Version originale

Quand on parle de la beauté, on pense souvent des idées, ou philosophiques ou artistiques. Mais en outre il y a aussi des phenomène moins raffinés: la puissance politique, la commerce, et la communautarisme. Un partie de ces dynamiques pousse en direction d’harminosation, mais une autre part pousse vers la diversité.

Dans les société aristocratiques, les nobles ou les gens de haute classes s’ornent avec les vêtements distincts, les perruques, le maquillage, etc. C’est un manière d’afficher leurs richesses, mais ça devient un standard pour la beauté. Souvent les gens dans la classe moyen essaient d’imiter cette mode soit pour faire entrer dans la société de la classe haute, soit pour emprunter pour eux-même le parfum de pouvoir. Évidement les nobles et les riches sont tous beaux, et ainsi cet imitation des nobles pèse vers l’uniformité de l’idéal.

En revanche, il y a souvent des mouvement politiques en opposition et dont le sentiment contrarien jaille au niveau aesthetique. Donc ils forment leurs propres idéal de beauté qui existe justement pour les differencier avec les élites. De cette manière chaque communauté genère une nouvelle idée de la beauté.

Enfin, au fond de tout est toujours l’argent. Les commerçants ont deux strategème possible. On peut déclarer: «Vous devez acheter ceci et cela pour être beau, tout le monde le fait.» Ou …

Version corrigée

Quand on parle de la beauté, on pense souvent à des idées, soit philosophiques soit artistiques. Mais en outre il y a aussi des phénomènes moins raffinés: la puissance politique, la commerce, et la communautarisme. Une partie de ces dynamiques pousse en direction de l’harmonisation, mais une autre part pousse vers la diversité.

Dans les sociétés aristocratiques, les nobles ou les gens de la haute bourgeoisie s’ornent avec des vêtements distincts, des perruques, du maquillage, etc. C’est une manière d’afficher leurs richesses, mais ça devient un standard pour la beauté. Souvent les gens dans la classe moyenne essaient d’imiter cette mode soit pour faire entrer dans la société de la classe supérieure, soit pour emprunter pour eux-même le parfum de pouvoir. Évidemment les nobles et les riches sont tous beaux, et ainsi cette imitation des nobles pèse vers l’uniformité de l’idéal.

En revanche, il y a souvent des mouvements politiques en opposition et dont le sentiment contraire rejaillit au niveau esthétique. Donc ils forment leurs propres idéaux de beauté qui existent justement pour les différencier des élites. De cette manière chaque communauté genère une nouvelle idée de la beauté.

Enfin, au fond de tout est toujours une question d’argent. Les commerçants ont deux stratagèmes possibles. On peut déclarer: «Vous devez acheter ceci et cela pour être beau, tout le monde le fait.» Ou …

You don’t have to look too closely to notice I made tons of errors around the masculine / feminine gender of nouns. Sofia says the best way to practices that is with any of innumerable online quizzes. Just a few minutes each day, she proposes. I prefer to be lazy and just read and listen a whole bunch more, but she’s probably right.

Last order of the day: identify and understand spoken slang! I found this pretty much impossible. Here’s a short sketch about a patient who visits the doctor to try to get an excuse note for work, when in fact he’s perfectly well. The doctor sees this everyday and tries to make the visit as onerous as possible. Here’s just a small sample of the words and expressions that I was supposed to catch, but which totally went over my head:

«se bouger le cul»: se dépêcher
«un branleur»: un fainéant
«la flemme»: un manque d’envie
«s’être blindé»: avoir réviser sur un sujet

Note that «blindé» by itself just means “very rich”, which is not the same as «s’être blindé»

It’s always good to know one’s limits, and I’ve pretty clearly hit mine. I guess that’s what separates a student in a C1 French course from a student ready for level C2.