Carcassonne: Two Restaurants and a Bicycle Adventure

2023-07-05

Wednesday was a day with many small episodes plus one small adventure.

After the usual breakfast conversation Éliane and I set to work on correcting / revising my translation of the English text from my aspirational website www.frenchtheaterproject.com. We took as a starting point the first draft of the translation (un premier jet) that I’d made Tuesday with the aid of Google Docs’ automatic grammar and spelling corrections. Even so, it had a lot of basic errors around gender and number, around de vs des, and so forth. Beyond that a number of the sentences had to be reworked as my translations were sometimes plodding and cumbersome, and sometimes too highfalutin or full of imagery. Upon reflection, that’s probably the case as well for the original text I wrote in English eight months ago. There’s not a lot of text on the site, so we got through it fairly rapidly. I’ve yet to update the site, but I hope to do so before long.

After the translation exercise, Benjamin joined us for a short game of Scrabble. The French version of the game has a different distribution of letter frequency in the tiles and a different assignment of points to each letter, but the rules are otherwise the same. I was pleased to find I could play fairly effortlessly, at least in terms of finding legal moves that used five or six of my tiles each turn. We weren’t keeping score, and I wasn’t trying to optimize points, so I’m not making any judgment on how skilled a French Scrabble player I might be. But I definitely have the ability to find plenty of valid words that I could place from each rack. Being in the habit of doing French crosswords definitely helped, as those feature lots of words of 2-8 letters, and often have to use words that fit well in constrained grids. I might see if I can find an online French Scrabble platform where I can play against robots or even other players. I bet I could learn a lot of words that way.

We cut our game short to drive to Lastours, a small town near la Montagne Noire, where we had lunch at a 1-star Michelin restaurant (un restaurant gastronomique) named Le Puits Du Trésor. Éliane and Benjamin had an appointment in town at 3pm, so we opted for the simple menu découverte (starter, main course, dessert) rather than any of the more elaborate tasting menus. Even so, the chef sent us eight or ten other small plates throughout lunch in addition to the nominal three courses of the menu. I can’t even being to recall them all, but the ingredients were quite varied: artichoke, celery leaves, sweet potato, date-and-banana paste, pistachio, small anchovy-and-chocolate croutons, mini carrot cakes, truffled butter, dried pork liver, marshmallow, apricots, and more. Plus a bunch of edible flowers and little mini-vegetable like things I hadn’t seen before and can’t name in French or English. The three featured courses were good, but blended in with the parade.

The only downside to the meal was that we were under a time limit, and so everything felt rushed even though we arrived around 12:15. The restaurant probably thought we were ungrateful and even rude as we wolfed down some of the later offerings and didn’t linger over wine or have coffee at the end. Ah, well. We hurried out and Éliane and Benjamin dropped me off at the house on the way to their next engagement.

I spent the afternoon doing laundry and making my first plans for Avignon shows. Mostly I consulted Télérama’s pre-review of the festival and bought a ticket for anything they awarded three stars (or rather, three Ts). I didn’t look ahead much, but just went down the list and bought tickets sequentially, choosing dates more or less at random. But I couldn’t help notice a pattern – the majority of the highly rated shows were playing at just 2 theaters (out of over 100): La Scala Provence and 11-Avignon. I saw a number of shows at the first of these last year and there were at least a couple that stood out as excellent. I don’t recall seeing anything at 11-Avignon. But I wonder if there isn’t some kind of bias, perhaps as simple as which theaters host shows that can be seen in advance. I also purchased a ticket for a five-hour show that is part of the IN Festival at the recommendation of a theater professor I met at Avignon last year. In all, I’ve got tickets for eight shows so far and plenty of free slots in my calendar. So I’ll ask around for word-of-mouth recommendations.

Around 7:40pm I borrowed a bicycle from my hosts and returned to L’Orgeril winery at Pennautier where Éliane had taken me Tuesday. They operate a restaurant named La Table Cave du Château which Éliane recommended. The ride there, about 4 or 5 kilometers, was a little nerve wracking. The Google directions didn’t line up with reality — it had me cycling along “roads” that were little more than rutted tracks that ran through fields of nearby farms, and then had me cutting across open space where even Google didn’t claim there was a road. I ended up back tracking a little to take longer though more legitimate roads to the restaurant. I arrived some 15 minutes late but the restaurant folks were completely unphased.

Dinner was simple but tasty: “mediterranean” gazpacho with feta cheese, black Angus beef grilled with potatoes and zucchini, and a chocolate-crusted tart of apricots with meringue. It was served with an inferior glass of red wine from the winery. I’ve rarely had bad wine in France, but I’m beginning to think that the area around Carcassonne is not great for wine (I’ve tried a few others and they are consistently ordinary). For the second time in one day I felt rushed at the end of a meal, this time because night was falling and I had to ride home. Sunset was around 9:40p and dusk lasted until around 10:00 pm, but I didn’t have any lights on my bike. I took a different route, again encountered fields where Google maps told me there would be roads, doubled back, and ended up riding on the 60 kph departmental road for some 800 meters. I was covered with sweat and a bit amped up on adrenaline when I got home shortly after 10pm, so I didn’t get to sleep until after midnight. I’m writing this on Thursday, as I didn’t feel up to writing last night.

Two restaurant meals in one day is too many. Tonight I’m going to have a simple picnic for dinner.

Avignon: L’Arrivée

I’m in Avignon! I left Boston Friday, July 1 and flew overnight to Charles de Gaulle airport in Paris. Logan airport was pretty packed with lots of travelers headed out on vacation. CDG was the same way, but with a partial labor strike on top of it – welcome to France ! About 10% of the CDG flights were canceled, but the only impact it had on me was that the normal RER train from the airport to the TGV station at Gare du Lyon was out of service and I had to take a bus. This turned out to be a positive, as I had an extended conversation in French with the woman sitting next to me, who was returning to her native France from San Diego. She gave me some suggestions of what to see around Avignon, and also pointed out a more efficient route to Gare du Nord from the endpoint of the adhoc shuttle bus, Stade du France / Saint Denis. I made it to the TGV for Avignon with only 10 minutes to spare, so she may have saved me a lot of headache.

I spent the rest of Saturday and much of Sunday just walking around the city and getting oriented. Sunday I woke up around 4am (jetlag) and was out walking by 6am. It was well past sunrise and bright as could be, yet the city was completely deserted. Every few minutes I’d pass a single tourist like me, but otherwise it was empty. Eerie to see these vast spaces intended for hundreds to be empty but in full sunlight. Here’s some photos from that morning.

The Palais du Pape stands atop a rocky cliff at the northern tip of Avignon, overlooking the Rhone river. Tucked in alongside it is an understated park, named Rochier des Domes. It has paths, lawns, ponds, fountains, swans, goldfish, sculptures, and a symbolic small vineyard. But my favorite installation is a human sundial about 30 feet across. A stone marker gives instructions on where to stand based on the day of the year. Your shadow then falls upon a perimeter stone marker that reveals the current solar time. A second stone marker gives a long explanation of the difference between solar time and “legal time”. The whole contraption is named a « cadran solaire analemmatique », and is credited to one G. Bonnet, who designed this installation in 1930. Some other sculptor constructed it. The concept dates back to the Greeks and Romans, and there are apparently hundreds of such things in and around France, but I don’t recall seeing one before.

In addition seeing all the big things that every tourist will see, I noted some small details that made me happy during my first couple days. Here’s a few of those to round out this first of many Avignon posts.

Ansonia Wines, Zoom Tasting

I have the good fortune of living not far from Ansonia Wines, an excellent importer of small-batch, artisan French wines made by 40 winemakers around France. Although Ansonia has been in business for all 16 years I’ve lived in my current house, I placed my very first order with them (an introductory six-pack) just this summer. The wines were all quite up good, and they delivered to my house during the pandemic, so A+ for convenience. Their prices are generally $16 – $30 a bottle, with a few offerings higher than that. Especially with current tariffs in the US, this is quite reasonable for good French wine.

Last weekend I participated in an Ansonia organized, Zoom-mediated online wine-tasting and really enjoyed it. I’m not much of a wine expert, though I like drinking it and learning how it is made. I can count on the fingers of one hand the total number of wine-tastings I’ve ever attended, and the online Zoom aspect of it was a first for me. Apparently 40 people signed up in advance for the event, which featured five white wines from Bourgogne and the Loire valley.

Just before noon, Ansonia opened eight bottles of each and redistributed them into 40 sets of five five-ounce bottles. Customers (including me) came by the store between noon and 2pm to collect their bottles and put them in the fridge at home. The tasting started at 4pm over Zoom and lasted an hour. I set out my bottles and my laptop on the living-room coffee table and settled in for a pleasant afternoon goûter (my cheese and bread are out of the frame).

Here are the wines we tasted:

  1. Martin-Luneau Muscadet de Sèvre et Maine “Clisson” 2016
  2. Paget Chenin “Mélodie” 2018
  3. Garenne Sancerre “Bouffants” 2019
  4. Maillet Mâcon-Verzé 2017
  5. Collet Chablis 1er cru “Montmains” 2018

The tasting was conducted by Tom Wilcox, the younger member of this father-and-son (or rather Père et Fils) business. He had a prepared slide presentation with maps showing the region of France each wine was from, photographs of each specific vignoble, and often photos of the winemakers themselves talking with Mark Wilcox (père) (Tom is in the small picture-in-picture box at the top right of the laptop screen, while Mark Wilcox appears in the sweater-vest on the left half of the slide). Tom narrated the whole thing while directing viewers when to taste each wine, explaining the micro-climate, the soil, and the winemaking process that went into each wine.

The first three are from the lower-, middle-, and upper-Loire valley. The last two are from Bourgogne (Burgundy). The presentation contained these handy maps to show the sources more clearly:

Tom followed up with a pointer to a series of short YouTube videos by winemakers in Bourgogne talking about their wine, their work, and their history. Many of these videos are available both in French and in English. Here, for example, is Nicolas Maillet talking about his vineyard in Mâcon-Verzé:

En français …
and in English

The whole series of them can be found here: « Rendez-vous avec les vins de Bourgogne »

I’ve never been to Mâcon, but as it happens, I’ve had the pleasure of visiting the other regions represented by the tasting. Here’s a few pictures I took in 2017 in Beaune, a part of Bourgogne just outside Dijon:

Château du Clos de Vougeot, Headquarters of the Climats de Bourgogne

The photo shows an old, no-longer used, massive press used to squeeze the juice out of grapes. An unknown tourist standing next to the press gives a handy reference for scale. The cisterns (cuve) that held the wine during fermentation are in the foreground, massive oak tanks with steel bands.

Of course, the outdoor scenery in Beaune is stunning, especially in the summer. Here’s an example:

A few years earlier (2014), I spent a couple weeks working in Paris and took a one-day weekend tour of the upper Loire which included a visit to a wine cave (Caves Duhard) and a tasting. Caves have very regular humidity and temperature, which makes the great for storing wine over long periods. Apparently, this has been known for centuries, and so when the stones were quarried for the châteaux that line the Loire, they were careful to leave usable caves behind. Really big ones. Here’s a few photos to give you an idea:

The major city at the mouth of the Loire is Nantes, which I visited in 2020. I didn’t travel to wine country, but I did encounter some really cool street art inspired by Jules Vernes, favorite son in those parts:

My other big wine encounter was a 2020 winery tour in St Emilion, but that’s in Bordeaux, so not rightly part of this weekend’s wine tasting. I’ll have to wait until Ansonia features a Bordeaux tasting to share that story…