La rivière à l’envers, by Jean-Claude Mourlevat, is a two-volume fantasy series published in 2000 and 2002 and aimed at a pre-teen or early-teen audience. In the first volume (named Tomek), an exotic teenager named Hannah walks into a small village general store and asks Tomek, the teen behind the counter, if he happens to have any water drawn from the river Qjar. Tomek’s store has nearly everything imaginable, but he’s never heard of Qjar and has no water from it. Hannah admits it was a long shot, buys a candy stick for one sou, and leaves. In the days that follow, Tomek can’t get Hannah off his mind, so eventually seeks out the village elder to get information on this river. The elder has heard only rumors of Qjar, located in some magical land far away, a land full of incomparable people, plants and animals. The river Qjar has two distinctive properties: it runs backwards, from the ocean to the mountain, and its waters can cure any illness. Tomek decides to leave his village and go in search of Hannah and the Qjar river. His fig leaf reason? One sou is far too much to pay for a candy stick.
We get to follow Tomek on his 200 page trek across these mythical lands, meeting all the strange flora, fauna, and people who live there as well as various episodic characters who help Tomek on his quest. We pass with Tomek through La forêt de l’oubli, entry into which causes a person to be temporarily forgotten by all others. We follow him through a vast meadow of flowers, one of which issues a perfume that causes people to fall into a long-term sleep from which one can be awakened only by a magic phrase – but each victim’s rousing words are different. The neighboring community of perfume makers routinely hosts sleeping guests for months on end while round-the-clock shifts of volunteers read aloud to them from a vast library in hopes of finding just the right words (Tomek’s were «sous le ventre du crocodile»). And we follow Tomek as he takes to the sea and accidentally stumbles into L’île inexistante, a place shrouded in fog and always-in-flowing tides. Boats that arrive can never escape again … unless they can answer a riddle that Tomek divines at the last moment.
It’s all kid stuff, and Tomek overcomes each obstacle with relatively little difficulty or tension. This is a storybook more than a thriller. It does paint a luxurious picture of each new landscape and fantastical ecosystem, which made it a great source of new vocabulary words for me. I find it rather curious that there are so many unfamiliar words, as they are presumably in the working receptive vocabulary of a 10 or 11 year old child. Here’s a collection of some of these words, without definitions.
- se dégourdir
- sucre d’orge
- un bocal
- laisser en plan
- une échoppe
- s’asseoir en tailleur
- friandise
- mâchouiller
- dompter
- un passe-montagne
- la loutre
- grappiller
- badaglang
- rapiécés
- borgne
- un miche de pain
- rassasier
- joncher
- pardessus
- queue leu leu
- bancals
- élancée
- brinquebaler
- bossus
- une brassée
- la croupe
- la moelle
- se dandiner
- couche de fortune
- balluchon
- à votre guise
- une passerine
- sortilège
- un moineau
- piler
- rondelette
- rondeur
- rêvasser
- des vivats
- en apparat
- la liesse
- jeu d’adresse
- un pantin
- se morfondre
- jouer aux petits chevaux
- drôles de pitres
- à la dérive
- aux embruns
- pagnes
- une étreinte
- juteu
- une natte
- rebrousser
- une brouette
- un coup de jarret
- un pitre
- à qui mieux mieux
- une pagaie
- un lamantin
- accroupi
- barboter
- s’ébrouer
- escarpé
- grassouillet
With a few chapters to go, Tomek does find Hannah, who has somehow acquired a giant living panda-bear pet. Together, they eventually find the headwaters of the Qjar with next to no drama. There’s no particular significance to the river’s flowing backwards, and they harvest a few drops of water so that Hannah can bring it home to heal … her pet songbird who’s really a princess trapped in a bird’s body. A bit random, but perhaps the author ran out of good ideas.
Mourlevat seems to have recognized that in the first-volume Hannah was little more than a motivating prop for Tomek’s story. So he wrote a second volume (named Hannah) in which a now elderly Hannah tells us all the adventures she was having on her own while Tomek was following her trail. A complete life with a dessert caravan that turns out to have been all a dream. A case of mistaken identity with a princess who will be kidnapped should she ever see her reflection. A trek across a mountain into a long-abandoned ghost-town with a centenarian. I found these adventures distinctly flatter and paler than Tomek’s, which reinforces my theory that the author ran out of good ideas after the first 150 pages of Tomek. I’m guessing he decided to write this sequel either for economic reasons or to try to make up for having relegated Hannah to second-class protagonist status in the first volume. Either way, the most valuable thing I got from Hannah was another clutch of vocabulary words. Here are some:
- la rade
- une marmite
- déguerpi
- détalé
- menton en galoche
- frayé
- les hardes
- prélasser
- les bas
- l’oseille (f)
- ronchonner
- ma dodue
- une apparat
- démordir
- bougon
- être en cheville avec
- un psyché
- le taillis
- la rocaille
- pisé
- déglingué
- rapiécée
- ébréché
- comme un coup de trique
- dégrisé
- un réduit
On the whole, I’m happy I read these 400 pages. It was light reading that went quickly, and it was good to reinforce a subdomain of outdoor vocabulary that I don’t often encounter in plays or news stories. Unremarkable, but unregretted.